Comparison of Nora (A Doll’s House) and Mrs.Alving (Ghosts) Essay

Nora and Mrs. Alving be two main characters in Ibsens dos. They are mistakable in some ways, entirely obviously they are both unusually diverse. They play many of the same roles in their plays, and are probably the most similar two characters between Ghosts and A Dolls House.Nora is a unique character, a kind not usually seen in most plays. She swings her sense of humour often she is either very happy or very depressed, pleasant or desperate, wise or nave. At the beginning of the play, Nora liquid plays a child in many ways, listening at doors and eat forbidden sweets behind her conserves back. She has gone straight from her novices house to her husbands, bringing along her nursemaid which tells us that she hasnt really gr take up. She in any case doesnt have much(prenominal) of an own opinion. She has always accepted her spawns and her husbands opinions. Shes aware that Torvald would have no use for a married woman who was equal to him.But like many children, Nora know s how to manipulate Torvald by pouting or by performing for him. In the end, it is the truth closely her marriage that awakens Nora. Although she whitethorn suspect that Torvald is a weak, petty man, she believes that he is strong, that hell protect her from the consequences of her actions. Then, at the moment of truth, he abandons her completely. She is shocked into reality and sees how fake their relationship has been. She realizes that her father and her husband have seen her as a doll, a toy to be played with, a figure without opinion or will of her own. She similarly realizes that she is treating her children the same way. Her whole tone has been based on illusion quite an than reality.Mrs. Alving married her late husband, master copy Alving, at her family proposal, but she had a stately marriage. She ran forward to Pastor Manders, who she was attracted to, but he made her return to her husband. later enduring her husbands depravity for a while, she direct away Oswald at the age of seven, with the hope that he would never discover his deathly fathers immorality. Mrs. Alving built an orphanage to memorialize his death, and it was scheduled to be dedicated the following day. She didnt want anyone to know the truth about his person she wanted everyone to think he was a great, honorable man. Fortunately, she at least had the compellation to tell her son the truth about his father.The occasions that arose for both characters were similar to some extent. One year into her marriage, Mrs. Alving, like Nora, walks out on her husband, fleeing to the house and into the arms of her friend Pastor Manders, only to be persuaded by him to return to her husband. Another similar occurrence was when Nora had to save her husband, by freeing into exile and away for a little bit, and Mrs. Alving saved her son by sending him into exile or at least away from their alkali so that Oswald would never have to grow up with his freelancing father.There were also some key d ifferences between Nora and Mrs. Alving. In A Dolls House, the reason of the union between Nora and Helmer relied on the husbands conception of integrity and unyielding devotion to social morality. He was the conventional, sample husband and devoted father. non so in Ghosts. Mrs. Alving married Captain Alving only to find that he was a physical and mental wreck, and that life with him would mean utter degradation and be fatal to her possible children.In her despair, she turned to her friend, Pastor Manders, who needed to be indifferent to necessities. He sent her back to shame and degradation, back to her duties to her husband and home. Happiness, to him, was the unholy manifestation of a rebellious spirit, and a wifes duty was not to judge, but to bear with humility the cross which a higher power had for your own good laid upon you.Mrs. Alving bore the cross for twenty-six long years. Not for the sake of the higher power, but for her little son Oswald, whom she longed to save fro m the unhealthful atmosphere of her husbands home. Meanwhile, Nora fled her husband for the sake of the higher power, for the chance to find her own ideas and opinions, to gain an experience without the controlling factor that her husband had on her.