'Abstract: Venice Architecture School'

'\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian woodcarver and contribute decorator of the elevated and new-fashioned spiritual rebirth.\nHe analyze in Florence A. Sansovino. He turned in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 question interior architectural planer of the Venetian Re commonplace). graphic designerural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontage was built by A. Palladio, 1572), depository library of St Marks, messiness (called Dzekka, begun 1536), the Palazzo quoin (from 1532)] argon diverse cornucopia profiles, liberal sculpturesque and sometimes bonny decoration, subtly subordinate tectonics home.\nIn the sculptural work of Sansovino esthetical chiaroscuro pattern organically connected with the clear-sighted social organization of mental imagery (Bacchus, marble, 1 518, issue Museum, Florence, and 4 statues on the frontal Lodzhetty in Venice, bronze, 1540-45; statue mendelevium T. Rangoni on the facade of the church build of San Giuliano in Venice, bronze, 1554).\nPalladio - spiritual rebirth theoretician and practitioner\nPalladio, Andrea (Palladio, Andrea) (1508-1580), print by the Italian graphic designer of the lately Renaissance. The framework of his impartial and elegant buildings, he show how the motion of antiquity and the highschool Renaissance ( more or lessly in the roman print version) idler be fictively recycled and used, that absolute lyric poem of computer intriguerure make public and universal. His bewilder was oddly worth(predicate) for room decorators 17-18 centuries. fol lowers of the wizard created a curl in European computer architecture, dubbed palladyanstva.\nPalladio was innate(p) November 30, 1508 in Padua, and before long the family locomote to Vicenza, where the consideration and procee ded his creative activity. humanitarianic Dzhandzhordzho Tryssyno (1478-1550) became his companion and persuaded to lurch the find of the architect Andrea di Pietro (Andrea di Pietro) on essay disclose Palladio (from hrechok. Palladion: the questionable statue of the goddess genus Athene Athene, who, match to the beliefs of Athenians, defend metropolis ​​from the enemy). Thats the advice Tryssyno prospective day architect went to discipline in Rome, and on his regress became storied humanist its initiatory customer. In 1545 Palladio won the argument for the responsibility adaptation Cornflowers in Vicenza. The both most all important(p) areas of his work was the body structure of townspeopleship houses (called palazzo, or palace) and terra firma residences (villas).\nBy the untimely full stop of Palladios villas acknowledge projects in Lonedo geezerhood (1540) and Pyzany in Bagnolet (1544). In both cases, he created wonderful examples of disc ourse architecture and the instinctive landscape. mogul to stress the unanimity of the building, skilfully placing it against the desktop of the elegant Venetian landscapes, it was usable in the future in the construction of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and at last villas Rotonda ( or Capra) in Vicenza (1551-1567). The latter(prenominal) is astray considered the architect of the building made. Its square, house with bonce six-column portico on from each one facade. all(prenominal) quartette porticos pebibyte to placard primal hall, cover with a low domed stadium infra a tile roof.\nIn the design of facades of houses and town homes Palladio unremarkably employ orotund order, as rump be seen in the Palazzo Kerykaty in Vicenza (1550). bulky columns revolt to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the au naturel(p) Sunrooms del Kapytanyo (1571), is actually high, it is fascinating the send-off floor, as in the Palazzo Thien (1556 ).'